New In at Maison Affluency

The Metamorphosis Lamps A&B represent a masterful intersection of sculpture and illumination by the renowned French Maître d'Art, Pierre Bonnefille. Each table lamp serves as a testament to the designer’s signature philosophy of material alchemy, transforming mixed media on wood into a sophisticated collectible. The collection features exquisite patinated brass structures finished in burnished bronze or copper, reflecting Bonnefille’s deep connection to mineral textures. These hand-finished pieces showcase architectural precision and organic beauty, diffusing a warm glow that highlights the intricate metallic skins. This lighting set embodies high-end Parisian craft, offering a tactile depth ideal for discerning art and design collectors.

The Metamorphosis Polygone 1 dining table by Pierre Bonnefille is a masterful synthesis of geology and geometry, reflecting the French Maître d'Art’s profound dialogue with the elemental world. Crafted from mixed media on wood, the expansive polygonal silhouette serves as a canvas for Bonnefille’s signature tactile experimentation and mineral-inspired patination. This ethereal tabletop composition is grounded by a burnished carbon base, providing a structural counterpoint that is both industrial and organic. Bridging the gap between collectible furniture and fine art, this piece embodies a sophisticated materiality defined by the rigorous technical mastery of one of France’s most celebrated designers.

The Bloc Sideboard II by Pierre Bonnefille is a commanding synthesis of sculpture and utility, epitomizing the experimental materiality inherent to the Maître d'Art. Hand-applied mixed media on wood harmonizes with a patinated steel framework, reflecting the designer's mastery over mineral textures and natural pigments. This sophisticated storage solution serves as a functional canvas, where an architectural silhouette allows complex, hand-worked surfaces to take center stage. Drawing from his background in the mineral world, Bonnefille elevates this cabinet into a piece of collectible art that bridges the gap between essential architectural furniture and a vibrant, textured mural for discerning interiors.

The 3 Stone Stools by Maître d’art Pierre Bonnefille are a sculptural triptych that masterfully bridges the gap between archaeology and contemporary design. Evoking the raw geological forms of volcanic landscapes, each stool features a wooden structure enveloped in a proprietary mixture of natural pigments, mineral powders, and metallic elements. These collectible seating pieces showcase Bonnefille’s signature expertise in patinated surfaces, transforming elemental materials into functional totems of exceptional French craftsmanship. Perfectly balancing texture and form, this set serves as both versatile seating and sophisticated art, bringing a sense of mineral metamorphosis and elemental permanence to any curated luxury interior.

The Stone D Coffee Table is a sculptural masterpiece that exemplifies Pierre Bonnefille’s signature mastery of mineral alchemy and sophisticated patinated surfaces. Reimagining the raw essence of geologic formations, this Maître d'Art utilizes a wooden structure finished with a meticulous blend of natural pigments and metallic powders to create a rich, tactile depth. The medium-scale centerpiece evokes the fluid shimmer of water and mineral oxidization, merging the roles of painter and archaeologist into a singular work of collectible furniture. Limited to an exclusive edition of eight, this evocative table introduces an ethereal focal point to any discerning, contemporary interior environment.

The Bloc Sideboard by French Maître d’Art Pierre Bonnefille is a masterful intersection of fine art and functional storage, serving as a rigorous exploration of texture and light. This expansive cabinet utilizes mixed media on wood to evoke the geological depth characteristic of the artist’s celebrated Metamorphosis series. Accented with patinated brass, the sculptural silhouette reflects Bonnefille’s painterly sensibility and his dedication to transforming raw mineral pigments into collectible design. Each surface serves as an alchemical canvas, blending contemporary mural aesthetics with sophisticated utility. This piece represents the pinnacle of Parisian craft, where material serves as the primary inspiration for luxury furniture.

The Stone E Floor Lamp by French Maître d’Art Pierre Bonnefille is a masterful luminous totem that blurs the boundary between collectible furniture and fine art. Expertly crafted from mixed media on wood, this sculptural floor light showcases the designer’s signature material research, featuring a hand-applied patina that evokes the organic textures of limestone and volcanic lava. Drawing inspiration from his Metamorphosis series, Bonnefille utilizes mineral powders and natural pigments to transform the wooden surface into a poetic, tactile landscape. This sophisticated lighting piece anchors high-end interiors with its grounded silhouette and the unparalleled craftsmanship of a Parisian design icon.

The Stone C Table Lamp by French artist Pierre Bonnefille is a masterwork of sculptural lighting that showcases the transformative power of mineral textures. As a distinguished Maître d'Art, Bonnefille applies mixed media over a wooden core to create "Metamorphosis furniture" inspired by geological strata and archaeological findings. This sophisticated table lamp functions as a singular objet d’art, bridging the gap between raw natural limestone formations and contemporary Parisian luxury through meticulous hand-patination. The artisanal finish reflects the designer’s lifelong dedication to the physical essence of earth and stone, making it an essential acquisition for collectors of exceptional French craftsmanship.

Establishing a profound dialogue between geological history and contemporary art, the Prometheus III Astraea pendant by Christopher Boots is an unparalleled exercise in sculptural illumination. This striking ceiling light represents the designer’s commitment to "future relics," meticulously crafted from a brass framework that supports a breathtaking arrangement of raw quartz crystal and semi-precious lapis lazuli. The Melbourne-based atelier utilizes an elemental vocabulary to transform these mineral components into a dramatic, functional sculpture. Occupying the intersection of mineralogy and high-end craft, this Christopher Boots creation filters light through natural textures to cast an atmospheric glow, perfectly bridging raw nature with refined human artistry.

The Bucky Vitrine by Christopher Boots is a profound exploration of geometric structuralism, existing at the rare intersection of geology and sculptural design. This commanding brass pendant light captures the Melbourne-based designer’s signature philosophy of creating "future relics"—visionary ceiling lights that possess an elemental permanence and architectural precision. Crafted entirely from hand-finished metal, the fixture utilizes a sophisticated framework to function as a large-scale luminaire of significant artistic weight. This lighting sculpture embodies the brand’s dedication to transformation and raw materialism, casting a warm glow that highlights the natural luster of its structural form for a timeless, evocative interior focal point.

The Sugar Bomb Sconce by Christopher Boots is a profound exploration of geological wonder and sculptural form, designed to serve as a future relic within the modern interior. This sophisticated wall light occupies the rare intersection where raw natural beauty meets refined craftsmanship, showcasing the Melbourne-based designer’s signature ability to transform elemental materials into dramatic luminaires. Constructed from a deliberate pairing of rugged quartz crystal and warm brass, the piece highlights a distinctive materiality that produces an ethereal glow. Rooted in a practice centered on semi-precious stones, this fixture remains a quintessential selection for collectors seeking a balance between high-end lighting and timeless earth textures.

The Ouranos II pendant by Christopher Boots is a profound exploration of elemental form, merging the raw beauty of geology with the precision of contemporary sculptural design. This commanding ceiling light features a hand-finished brass frame supporting an intricate arrangement of natural quartz crystal, creating a dramatic interplay of fractured light and atmospheric glow. As a signature work from the Melbourne-based studio, the luminaire embodies the designer’s philosophy of crafting future relics that elevate semi-precious minerals into functional fine art. Each piece serves as a timeless focal point, transforming sophisticated residential interiors or gallery environments into spaces of permanent architectural luxury.

The Prometheus IV Table Lamp by Christopher Boots is a masterful dialogue between geological wonder and refined industrial craftsmanship, serving as a sculptural luminaire at the rare intersection of fine art and functional illumination. True to the Melbourne-based designer’s signature aesthetic, this table light features a crown of raw quartz crystal meticulously integrated with a hand-finished brushed brass base. The juxtaposition of elemental crystalline textures against the sleek warmth of metal illustrates Boots’ unique ability to transform ancient natural materials into sophisticated silhouettes. Each piece functions as a study in mineralogy, casting a glow that highlights the inherent fractures of the quartz.

The Nepenthes Complex Small ceiling light by Christopher Boots is a profound exploration of sculptural form and raw materiality, embodying the designer’s commitment to creating future relics. Expertly crafted from solid brass, this sophisticated pendant utilizes a refined industrial vocabulary to transform metal into an elemental silhouette that reflects a fascination with geology. The dramatic presence of the brass ensures a timeless patination, bridging the gap between functional illumination and fine art. This luminaire serves as an ideal focal point for curated architectural spaces, where every curve speaks to an enduring philosophy of permanence and high-end artisanal precision.

The Petra II wall light by Christopher Boots is a masterful intersection of geology and sculptural design, embodying the studio's philosophy of creating future relics. Handcrafted with architectural precision, this vertical luminaire pairs the structural warmth of solid brass with the ethereal translucency of raw quartz crystal. Each fragment is thoughtfully integrated to filter light through natural inclusions, casting an ancient yet contemporary glow. As a signature work by the Melbourne-based designer, this sculptural wall sconce elevates semi-precious minerals into a dramatic statement piece, blending functional illumination with the tectonic presence of a collectible art object for refined interiors.

The Ouranos I wall light, designed by Wall Light for the Christopher Boots atelier, is a profound exercise in elemental elegance that bridges ancient geology with contemporary sculptural design. This luminaire serves as a "future relic," meticulously crafted from raw quartz crystal and refined brass to transcend traditional lighting as a permanent piece of architectural art. The organic, jagged textures of the quartz contrast with the disciplined brass hardware, casting a soft, atmospheric glow that highlights the stone’s internal crystalline structures. It is an ideal acquisition for collectors seeking functional high-design objects that possess significant historical weight and timeless luxury.

The Beauregard Daybed by Pierre Yovanovitch is a masterful exercise in architectural poise, blending the rigorous tailoring of his menswear background with the warm, atmospheric influences of his Mediterranean upbringing. This exceptional piece of seating exemplifies Yovanovitch’s transition from an "architect of clothing" under Pierre Cardin to a leading figure in collectible design, where shape and form are paramount. Measuring H. 54 × L. 203 × W. 100 cm, the daybed’s substantial silhouette is elevated by a sophisticated interplay of textures. The frame features a high-gloss lacquer finish that offers a striking contrast to the tactile warmth of the premium fabric upholstery. Refined accents of brushed brass provide a subtle, luminous edge, grounding the piece with a sense of permanent legacy. In keeping with Yovanovitch’s design philosophy, which is deeply informed by the light and air of southern France, the Beauregard Daybed avoids the superfluous in favor of clean lines and structural integrity. It is an invitation to repose that functions as a sculptural focal point within a curated interior. Every element reflects the designer’s commitment to creating contemporary heirlooms that honor his unique path from fashion to the pinnacle of high-end furniture.

The Carolina Chandelier is a masterful study in organic geometry, reflecting the architectural precision and tactile sensitivity that define the work of Pierre Yovanovitch. Measuring 100 cm in height with a diameter of 162 cm, this statement ceiling light serves as a focal point for an interior, commanding the room with a silhouette that balances monumental scale with a sense of airy lightness. Crafted in plaster with a pristine Stucco White finish, the chandelier embodies Yovanovitch’s philosophy of integrating the nuances of natural light and quality of air into collectible design. The choice of material speaks to his apprenticeship under Pierre Cardin, where he honed his eye for form and structure as an "architect of clothing." This background informs the Carolina Chandelier’s structural integrity, allowing the lighting fixture to appear both sculptural and weightless. Drawing inspiration from his upbringing in the South of France, Yovanovitch utilizes the matte texture of the plaster to catch and diffuse light with a soft, ethereal glow. This piece represents the designer’s commitment to creating new legacies through contemporary craftsmanship, merging modernist sensibilities with a Mediterranean-inspired purity of material. The Carolina Chandelier is an essential acquisition for collectors seeking a harmonious blend of artisanal texture and avant-garde form.

The Rainbow Sofa by Pierre Yovanovitch is a masterful exercise in soft geometry, translating the designer’s signature "architect of clothing" approach into a monumental piece of collectible seating. Influenced by the light and visceral atmosphere of the French Riviera, Yovanovitch eschews traditional rigidity in favor of organic, sweeping curves that evoke a sense of fluid movement and architectural permanence. Crafted with a foundation of solid oak, the sofa balances structural integrity with the tactile softness of premium fabric upholstery. Each silhouette is defined by its voluminous, pillowed form, reflecting the designer's background in menswear where shape and volume are paramount. This meticulous attention to form ensures the piece functions as a sculptural centerpiece while maintaining an inviting, domestic warmth. Available in three distinct scales, the Rainbow Sofa accommodates diverse interior volumes: - **3-Seater:** H. 75 × L. 273 × W. 127 cm - **4-Seater:** H. 75 × L. 349 × W. 145 cm - **6-Seater:** H. 75 × L. 447 × W. 181 cm As a cornerstone of Pierre Yovanovitch's design philosophy, this seating solution represents a modern legacy. It is an investment in contemporary French craftsmanship and a testament to the designer's ability to harmonize the quality of the air and light with the physical presence of solid oak and textile.

The Asymmetry Sofa by Pierre Yovanovitch is a masterclass in soft geometry, embodying the designer’s signature approach to collectible seating. Drawing upon his background as an "architect of clothing" under Pierre Cardin, Yovanovitch translates sartorial precision into a topographical furniture form that challenges traditional interior symmetries. Crafted with tactile fabric upholstery, this piece reflects the designer’s deep appreciation for the Southern French landscape—the light, color, and atmosphere of his youth—resulting in a silhouette that feels both grounded and ethereal. The sofa’s sweeping curves and intentional irregularities offer a radical departure from rigid outlines, creating a sense of movement within a static space. As a cornerstone of contemporary collectible design, the Asymmetry Sofa functions as a functional sculpture, prioritizing both ergonomic comfort and a bold aesthetic legacy. Available in two distinct scales to suit various architectural volumes, the sofa is offered as a generous 2-seater (L. 220 cm) or an expansive 3-seater (L. 314 cm). Each version maintains a consistent height of 83 cm and a width of 107 cm, ensuring a commanding presence in any refined living environment. This piece represents a significant contribution to the Pierre Yovanovitch repertoire, blending twentieth-century modernist influences with a vision for future heirlooms.

The Asymmetry Armchair (M) by Pierre Yovanovitch is a masterful exercise in volume and silhouette, reflecting the designer's background in haute couture and his evolution into a leading figure of collectible design. Drawing from his formative years under Pierre Cardin, Yovanovitch approaches furniture as an "architect of clothing," prioritizing precise form and structural integrity. This seating piece serves as a functional sculpture, where deliberate proportions meet a refined aesthetic influenced by the light and atmosphere of the designer's upbringing in the South of France. Upholstered in premium fabric, the armchair balances generous dimensions with a sophisticated lightness. Measuring 74 cm in height, 101 cm in length, and 96 cm in width, its silhouette challenges traditional geometric expectations through its namesake asymmetry. This piece represents Yovanovitch's commitment to creating a modern legacy of design, eschewing historical heirlooms in favor of contemporary objects that define a space. Whether placed as a singular statement or part of a curated interior, the Asymmetry Armchair (M) exemplifies the intersection of comfort and high-art craftsmanship. Its presence in a room speaks to a deep appreciation for shape and the quality of material, characteristic of the Pierre Yovanovitch atelier’s rigorous standards.

The Baby Bear Armchair by Pierre Yovanovitch is a masterful study in proportion and silhouette, embodying the designer’s transition from the world of haute couture to the vanguard of collectible design. Characterized by its whimsical yet refined geometry, this seating piece reflects Yovanovitch’s background as an "architect of clothing," where precision of form and tactile sensitivity are paramount. Expertly crafted from solid oak, the chair features a sturdy, sculptural frame that provides a grounded contrast to its plush fabric upholstery. The design language is unmistakably Yovanovitch—a blend of playful anthropomorphism and sophisticated minimalism. Measuring H. 75 × L. 59 × W. 64 cm, the armchair offers a compact yet commanding presence, making it an ideal statement piece for discerning collectors of contemporary furniture. Drawing inspiration from the light and textures of his upbringing in Nice, Yovanovitch imbues the Baby Bear Armchair with a serene quality that transcends mere functionality. Having honed his eye for structure under Pierre Cardin, the designer ensures every curve and joint serves both aesthetic and ergonomic purposes. This armchair is not simply furniture; it is a modern legacy piece that exemplifies the intersection of traditional craftsmanship and avant-garde vision, solidifying its place within the highest echelon of interior curation.

Characterized by a statuesque silhouette and an unwavering commitment to form, the Papa Bear Armchair by Pierre Yovanovitch is a definitive expression of contemporary collectible design. This seating masterpiece balances a commanding presence with an inviting warmth, reflecting Yovanovitch’s unique evolution from an "architect of clothing" under Pierre Cardin to a visionary of the modern interior. Expertly crafted with a frame of solid oak, the armchair showcases the designer’s mastery of shape and structure. The organic texture of the wood serves as a grounded counterpoint to the plush fabric upholstery, creating a tactile dialogue between material and comfort. Measuring 105 cm in height, 83 cm in length, and 93 cm in width, the armchair possesses a generous scale that honors the Mediterranean light and air that have long influenced Yovanovitch's aesthetic philosophy. Born from a desire to create a new legacy of heirlooms, the Papa Bear Armchair transcends mere functionality. It is a sculptural object that prioritizes the purity of line and the quality of craftsmanship. As part of Yovanovitch’s curated repertoire, this piece exemplifies his ability to blend rigorous Parisian business acumen with the soulful, artistic sensibilities of the French Riviera, making it a cornerstone for any sophisticated collection of 21st-century furniture.

Defined by a rigorous purity of form and a playful sense of volume, the Mrs Oops Chair is a seminal example of Pierre Yovanovitch's signature approach to collectible design. This seating piece embodies the designer’s commitment to architectural precision, a sensibility honed during his formative years working under Pierre Cardin. By translating the structural logic of haute couture into the realm of furniture, Yovanovitch creates a silhouette that is both disciplined and expressive. Expertly crafted from solid oak, the chair’s frame provides a grounded, organic warmth that contrasts beautifully with the soft textures of the fabric upholstery. Measuring H. 88 × L. 47 × W. 56 cm, the proportions reflect Yovanovitch's fascination with shape and his deep appreciation for the light and atmosphere of his native Southern France. The Mrs Oops Chair eschews superfluous ornamentation, focusing instead on the harmony of its materials and the fluidity of its lines. It stands as a testament to the designer's philosophy of creating a modern legacy—one where craftsmanship meets a sophisticated, sculptural character. This piece serves as a sophisticated addition to any curated interior, offering a balance of comfort and avant-garde aesthetic.

The Mr. Oops Chair by Pierre Yovanovitch is a masterful expression of the designer’s signature approach to collectible design, blending narrative whimsy with architectural rigor. Rooted in his formative years under Pierre Cardin—where he honed his eye for shape and form as an "architect of clothing"—Yovanovitch translates sartorial precision into the realm of luxury seating. This piece stands as a testament to his desire to create a new legacy of furniture, unbound by tradition yet deeply connected to the exceptional craftsmanship of his native France. Constructed from solid oak, the chair features a silhouette that balances structural integrity with a sense of playful movement. The robust warmth of the timber provides a striking contrast to the plush fabric upholstery, ensuring an inviting tactile experience. Measuring H. 88 × L. 47 × W. 57 cm, the proportions reflect Yovanovitch’s philosophy of harmony, drawing inspiration from the light and clarity of the Mediterranean landscape. Every element of the Mr. Oops Chair demonstrates a commitment to high-end materiality and sculptural geometry. It is an ideal acquisition for discerning collectors looking to anchor a space with a piece that is as much a work of art as it is a functional object. By prioritizing exquisite lines and the innate quality of raw materials, Yovanovitch continues to redefine the boundaries of contemporary French interiors.

The Beauregard Chair by Pierre Yovanovitch is a masterful study in silhouette and structure, reflecting the designer’s foundational training as an "architect of clothing." Merging the precision of high-fashion tailoring with the soulful materiality of collectible design, this seating piece exemplifies Yovanovitch's signature ability to balance geometric rigor with organic warmth. The chair is meticulously crafted from solid chestnut, a noble wood that provides a grounded, tactile foundation for the composition. This robust frame is paired with refined fabric upholstery and accented by patinated brass details, creating a sophisticated play of textures that speaks to the designer’s Mediterranean roots and his reverence for the quality of light and air. Measuring H. 92.5 by L. 46 by W. 53 cm, the chair’s proportions are carefully calibrated to offer an elegant presence within a residential or gallery setting. Drawing from his formative years under Pierre Cardin, Yovanovitch infuses the Beauregard Chair with a distinct sense of volume and form. By eschewing historical heirlooms in favor of creating a new legacy, the designer offers a contemporary artifact that prioritizes craftsmanship and essentialism. This piece represents a significant addition to the landscape of modern seating, serving as both a functional object and a sculptural statement for the discerning collector.

The Bear Ottoman by Pierre Yovanovitch exemplifies the designer’s mastery of sculptural form and his unique pedigree as an "architect of clothing." Originally trained under Pierre Cardin, Yovanovitch translates his haute couture sensibilities into the realm of collectible design, resulting in a piece of seating that feels both whimsical and structurally rigorous. Crafted with a foundation of solid oak, the ottoman balances the warmth of natural wood with soft, inviting fabric upholstery. Its rounded silhouette and tactile presence reflect the influence of the light and atmosphere of the French Riviera where the designer spent his youth. Measuring H. 42 × L. 65 × W. 55 cm, the Bear Ottoman is a versatile addition to a curated interior, functioning as a standalone statement or a sophisticated companion to a lounge setting. Yovanovitch’s philosophy—deeply rooted in the pursuit of creating a new legacy—is evident in the precision of the piece's proportions and the quality of its craftsmanship. This piece transcends mere utility, embodying the designer's passion for shape and form to create a functional work of art that is both grounded and ethereal. For those seeking to anchor a space with contemporary heritage, this Pierre Yovanovitch creation offers a refined expression of modern European luxury.

The Donut Bench by Pierre Yovanovitch is a masterful expression of sculptural seating, harmonizing geometric rigor with a playful, inviting silhouette. Reflecting the designer’s background in high-fashion tailoring under Pierre Cardin, this piece treats furniture as an architectural garment, prioritizing precision in shape and a profound sensitivity to volume. Expertly crafted from solid oak, the bench features a substantial circular form that highlights the organic beauty of the wood grain. The structural integrity of the timber provides a grounded foundation for the plush, fabric-upholstered seat, offering a sophisticated tactile contrast. Measuring 137 cm in diameter, the bench functions as a functional installation, designed to anchor a room while encouraging social interaction from any angle. Guided by a philosophy influenced by the light and atmosphere of the South of France, Yovanovitch imparts a sense of lightness and purity to his collectible designs. The Donut Bench eschews unnecessary ornamentation, focusing instead on the essential harmony between material and form. This piece represents the designer’s commitment to creating a modern legacy of collectible design, where the craftsmanship of solid oak meets the refined comfort of premium upholstery. Ideally suited for expansive entryways or contemporary salons, it remains a definitive example of French savoir-faire and architectural vision.

The Laura Wall Lamp is a masterful synthesis of sculptural rigor and atmospheric warmth, reflecting Pierre Yovanovitch’s distinctive approach to collectible design. Measuring 128 cm in length, this statement wall light exemplifies the designer’s "architect of clothing" sensibility—a meticulous attention to shape and form developed during his formative years with Pierre Cardin. Each piece is crafted with a sophisticated material palette, utilizing patinated and varnished steel to create a rich, tactile finish that grounds the fixture’s expansive presence. The design features an interplay of solid and void, incorporating perforated lacquered steel that diffuses light with a refined, graphic quality. This technique honors Yovanovitch’s philosophy of capturing the essence of light and air, an inspiration drawn from his upbringing in the South of France. The generous proportions—H. 80 × L. 128 × W. 35 cm—allow the lamp to function as both a primary illumination source and a bold compositional element within a space. As a signature work by Pierre Yovanovitch, the Laura Wall Lamp serves as a modern heirloom, bridging the gap between industrial strength and poetic elegance. Its structural integrity and nuanced finish make it an essential acquisition for collectors seeking lighting that balances monumental form with the subtle nuances of French craftsmanship.

The Suvretta Sconce by Pierre Yovanovitch is a masterful expression of light and materiality, capturing the designer’s signature fusion of sculptural form and refined architectural precision. Drawing upon his background under Pierre Cardin—where he honed an eye for the "architect of clothing"—Yovanovitch translates these principles into collectible design, resulting in a wall light that serves as a quiet yet commanding presence in any interior. The piece is defined by its sophisticated interplay of textures. A circular disc of sanded white fused glass acts as a luminous diffuser, casting a soft, ethereal glow evocative of the atmospheric clarity the designer recalls from his youth in Nice. This glass element is expertly paired with blackened hammered brass, a material choice that introduces a tactile, artisanal quality to the minimal silhouette. Measuring 36 cm in diameter with a depth of 10 cm, the sconce balances generous proportions with a delicate profile. As part of Yovanovitch’s commitment to creating modern legacies through shape and form, the Suvretta Sconce transcends mere functionality. It is an objet d’art that reflects a deep appreciation for the quality of air and light, making it a definitive choice for collectors seeking lighting that bridges the gap between contemporary minimalism and high-craft tradition.

The Laqué Table Lamp by Pierre Yovanovitch is a masterful study in proportion and material harmony, reflecting the designer’s background in haute couture and his evolution into a leading figure of collectible design. Drawing from his formative years under Pierre Cardin, Yovanovitch approaches this lighting fixture as an "architect of clothing" would, emphasizing silhouette and structural integrity through a refined selection of noble materials. Expertly crafted from solid chestnut, the base provides a tactile, grounding presence that contrasts beautifully with the sleek application of lacquer. This interplay of textures is further elevated by the inclusion of brass accents and a soft fabric shade, which diffuses light with a warmth reminiscent of the South of France—a region whose air and light Yovanovitch cites as a primary influence on his creative philosophy. Measuring H. 32 × L. 35 × W. 19 cm, the Laqué Table Lamp functions as both a functional object and a sculptural statement. It embodies the designer’s commitment to building a new legacy of furniture through exceptional craftsmanship and a singular aesthetic vision. Subtle yet commanding, this piece serves as an essential acquisition for those seeking to integrate the storied elegance of French contemporary design into a curated interior.

The Beauregard Coffee Table by Pierre Yovanovitch is a masterful expression of the designer’s signature narrative, blending rigorous architectural precision with a playful, organic silhouette. Drawing from his formative years as an "architect of clothing" under Pierre Cardin, Yovanovitch imbues this centerpiece with a distinct sense of volume and couture-level craftsmanship. The table features a substantial top crafted from solid chestnut, celebrated for its rich grain and enduring presence. This natural warmth is juxtaposed against a striking high-gloss lacquer finish, creating a sophisticated play of light and texture that reflects the designer’s profound connection to the atmospheric qualities of the French Riviera. The composition is elevated by refined brushed brass accents, grounding the piece with a subtle, metallic luster. Designed to adapt to various interior scales, the Beauregard is available in small, medium, and large dimensions, maintaining a consistent height of 42 cm across all iterations. Whether standing alone as a sculptural statement or arranged in a tiered cluster, this coffee table represents the pinnacle of contemporary collectible design. It reflects Yovanovitch’s philosophy of creating a modern legacy—one defined by the quality of the air, the nuances of color, and an uncompromising commitment to form.

The Babel Table Lamp by Nicolas Aubagnac is a masterful exercise in geometric precision and material permanence, embodying the designer's signature "Classicism of the Future." Standing at a height of 49cm with a diameter of 30cm, this sculptural table light serves as a testament to the timelessness required of collectible design. Aubagnac, who founded his agency in 1997 after graduating from the prestigious ENSAAMA, has long been recognized for his ability to blend Art Deco influences with a forward-looking aesthetic that prioritizes longevity over ephemeral trends. Crafted from hand-patined turned solid brass with a refined bronze finish, the Babel Table Lamp reflects a commitment to noble materials and artisanal excellence. Its inclusion in the Mobilier National collection underscores its status as a piece of significant cultural and aesthetic weight. Aubagnac's philosophy dictates that true design must remain relevant twenty years into the future, a mandate clearly visible in the lamp's architectural silhouette and substantial presence. This piece does not merely illuminate a space; it anchors it with a sense of history and enduring sophistication, making it an essential acquisition for the discerning collector of contemporary French lighting.

Representing a masterful intersection of heritage and futurism, the Comete Side Table by Nicolas Aubagnac is a testament to the designer's philosophy of "Classicism of the Future." This exquisite piece transcends fleeting trends, designed with a timelessness intended to endure for decades. Its silhouette is grounded in geometric precision, standing as a collectible work of functional art that balances the rigor of classical proportions with a contemporary, celestial aesthetic. The material selection highlights Aubagnac's commitment to artisanal excellence and surface depth. The table features a sophisticated dual-lacquer finish: the base is rendered in a nuanced shaded lacquer that provides a sense of architectural weight, while the top is finished in a decorative flake lacquer, offering a subtle, shimmering texture that catches the light. Measuring Dia 60 x H 60 cm, the Comete Side Table is perfectly scaled for refined interiors, serving as both a versatile side table and a focal point of sculptural interest. As a signature creation from a designer celebrated for blending Art Deco sensibilities with forward-thinking design, this piece is released in a strictly limited edition of 12 pieces. For the discerning collector, it represents a rare opportunity to acquire an heirloom-quality object that embodies Aubagnac's unique vision of enduring luxury.

The Etna Bedside Table by Nicolas Aubagnac is a masterclass in the "Classicism of the Future," blending rigorous geometry with the rare artistry of traditional French decorative arts. As a limited edition of only 12 pieces, this side table serves as a functional sculpture, embodying Aubagnac's philosophy that true timelessness requires a design vision extending decades into the future. The silhouette is defined by the rich, deep tones of Indian rosewood, providing a structural warmth that anchors the piece. The drawer fronts feature an exquisite display of black straw marquetry, hand-applied in a precise herringbone pattern. This technique creates a shimmering, architectural play of light that contrasts beautifully against the organic grain of the rosewood. The composition is finished with custom handles in patinated brass, adding a refined, metallic touch that speaks to the designer's background in lighting and high-end interiors. Measuring W 60 x D 50 x H 70 cm, the Etna Bedside Table demonstrates the seamless blend of Art Deco influences and contemporary proportions. Nicolas Aubagnac's commitment to artisanal excellence ensures that each of the twelve editions is a collectible heirloom, designed to remain relevant and evocative long after its creation. This piece is a quintessential selection for collectors seeking furniture that bridges the gap between heritage craftsmanship and forward-thinking luxury.

The Iguazu Coffee Table by Nicolas Aubagnac is an exercise in sculptural permanence, manifesting the designer's philosophy of "Classicism of the Future." Designed to transcend ephemeral trends, this piece reflects Aubagnac's commitment to creating objects that remain relevant decades into the future through rigorous geometry and exceptional materiality. The centerpiece of the design is a substantial granite top in a "Perla Veneta Leather" finish, offering a sophisticated tactile quality that balances the cool precision of the metalwork. This expansive surface rests upon a masterfully executed base, where white brushed nickel meets brass hand-engraved with an "Ecume" pattern. This interplay of metallic textures creates a dialogue between industrial refinement and artisanal hand-detailing, a hallmark of the Paris-based creator's aesthetic. Measuring W 160 x D 80 x H 40 cm, the Iguazu Coffee Table possesses a commanding presence suitable for collected interiors. Drawing on a lineage of French decorative arts while looking toward a timeless horizon, the table exemplifies the seamless blend of architectural structure and noble materials. It is a quintessential example of high-end furniture designed not just for the contemporary moment, but as a future heirloom for the discerning collector.

The Iguazu Table Lamp by Nicolas Aubagnac is an architectural masterpiece that embodies the designer's philosophy of the "Classicism of the Future." Standing at a height of 68cm, this lighting fixture transcends contemporary trends to achieve a timeless status, reflecting Aubagnac's commitment to creating pieces intended to resonate for decades rather than seasons. The lamp's silhouette is defined by a sophisticated interplay of textures and finishes. The base is crafted from cross-brushed brass brun, treated with a shiny varnish that enhances the depth of the metal and catches the ambient light with subtle elegance. Crowning the piece is a distinctive shade in "Lezard" engraved brass, featuring a rhythmic pattern that adds a tactile, artisanal dimension to the geometric form. With dimensions of W 34 x D 20 cm, the Iguazu Table Lamp is a versatile addition to a curated interior, blending the meticulous rigor of Art Deco influences with a forward-looking aesthetic. As part of Aubagnac's collection of bespoke lighting, it serves as more than a functional object; it is a collectible expression of sculptural form and refined materiality, designed for those who value enduring luxury and precision craftsmanship.

The Kami Coffee Table by Nicolas Aubagnac is a profound study in geometric balance and textural contrast, epitomizing the designer's philosophy of "Classicism of the Future." This limited edition piece represents a rigorous commitment to timelessness, designed to maintain its relevance and aesthetic authority for decades to come. The architecture of the table is defined by a formidable base in cast bronze, providing a sculptural foundation that anchors its generous proportions. This weight is elegantly countered by a expansive square top finished in exquisite flake lacquer, a meticulous material choice that adds depth and a nuanced play of light to the surface. Measuring W 150 x D 150 x H 40cm, the Kami Coffee Table functions as a monumental centerpiece, reflecting Aubagnac's pedigree in interior design and his ability to harmonize historic craftsmanship with contemporary clarity. A true collector's item, the Kami is released in a strictly limited edition of 12 pieces. Each table serves as a testament to the atelier's dedication to high-quality materials and restrained luxury, offering an heirloom-quality focal point for the most discerning interior environments. Through this work, Nicolas Aubagnac continues to bridge the gap between architectural rigor and the fluid elegance of Art Deco influences.

The Olympe Console by Nicolas Aubagnac is a masterful exercise in "Classicism of the Future," bridging the gap between historical grandeur and forward-thinking structuralism. Designed with a clear architectural rhythm, this console table reflects Aubagnac's philosophy that true timelessness requires a design perspective reaching decades into the future. The piece features a robust steel base finished with a tactile application of copper and aluminum leaf, creating a metallic luster that caught the international spotlight at the Paris Art + Design fair. This intricate base supports a substantial Marfil stone top, an elegant choice that emphasizes the designer's commitment to noble materials and geometric purity. Measuring 160 cm in width, 42 cm in depth, and 83 cm in height, the Olympe Console possesses a calibrated presence suited for refined entryways or grand living salons. Drawing on his background from ENSAAMA and his affinity for the sophisticated lines of Art Deco, Nicolas Aubagnac creates furniture that transcends seasonal trends. The Olympe Console serves as a testament to his agency's dedication to uncompromising craftsmanship, offering a functional object that functions equally as a sculptural work of art in any contemporary collection.

The Rhodes Console by Nicolas Aubagnac is a masterclass in the "Classicism of the Future," bridging the gap between historical grandeur and forward-thinking architectural precision. Standing as a testament to Aubagnac's philosophy that true timelessness requires a vision projected decades into the future, this piece transcends seasonal trends to offer a permanent contribution to the interior landscape. The console features a base of solid forged steel, meticulously finished in exquisite white gold leaf, providing a luminous and structural foundation. Resting atop this metallic armature is a surface of carved "Snow Marble," characterized by its pristine tonality and a distinctive chiseled border that highlights the stone's organic yet disciplined nature. Measuring W 250 x D 45 x H 80 cm, the proportions are generous and commanding, making it a definitive focal point for an entryway or gallery. Every element of the Rhodes Console reflects the designer's background in interior design and his dedication to creating without architectural constraints. By blending the spirit of Art Deco with contemporary geometry, Nicolas Aubagnac ensures each piece serves as a bridge between eras. This curated work is presented as a strictly limited edition of 8 pieces, ensuring its status as a highly collectible specimen of modern French decorative arts.

The Salsa Wall Light by Nicolas Aubagnac is a masterful exercise in architectural balance, embodying the designer's signature "Classicism of the Future." Standing at a commanding height of 80cm, this sculptural luminaire demonstrates Aubagnac's philosophy that true timelessness requires a vision spanning decades rather than seasons. The piece is meticulously crafted from solid forged steel, finished with a deep black patina that emphasizes its structural integrity and refined silhouette. A study in contrasting textures, the Salsa Wall Light pairs the industrial strength of hand-forged metal with the delicate elegance of a Taffetas lampshade. This juxtaposition ensures a soft, atmospheric diffusion of light that enhances the rigorous geometry of the steel frame. Since establishing his agency in 1997, Aubagnac has become renowned for creating lighting that functions as both a functional tool and a collectible objet d'art. Designed for those who appreciate the intersection of heritage craftsmanship and avant-garde permanence, this wall light serves as a sophisticated focal point for high-end interiors. The deliberate proportions—42cm in width—allow it to anchor a space with the quiet authority characteristic of Aubagnac's internationally celebrated portfolio. By merging traditional materials with a forward-thinking aesthetic, the Salsa Wall Light transcends ephemeral trends to become a permanent fixture of contemporary luxury.

The Saturne Bar Cabinet by Nicolas Aubagnac is a masterwork of contemporary classicism, balancing celestial inspiration with rigorous artisanal craftsmanship. This exceptional storage cabinet embodies Aubagnac's philosophy of the "Classicism of the Future," a design ethos rooted in creating heirloom-quality pieces intended to remain timeless for decades to come. The exterior is defined by a sophisticated two-tone cloudy lacquer, meticulously decorated with white gold leaf that catches the light with ethereal elegance. Upon opening the doors, the cabinet reveals a warm, architectural interior featuring fittings crafted from premium walnut, offering a textural contrast to the luminous outer shell. Drawing on his background in interior design and his affinity for Art Deco geometries, Aubagnac has created a piece that serves as both a functional bar and a sculptural focal point. True to the designer's commitment to bespoke creation and enduring luxury, the Saturne Bar Cabinet is available in custom dimensions to suit the specific requirements of a curated interior. This piece represents a seamless blend of traditional French decorative arts and a forward-thinking aesthetic, ensuring its relevance in the most discerning collections both today and in the future.

The Orion Herborarium Shadows Cabinet represents a masterful synthesis of heritage craftsmanship and what designer Nicolas Aubagnac defines as the "Classicism of the Future." This exceptional storage piece is characterized by its rigorous geometry and a deliberate focus on longevity—a philosophy rooted in Aubagnac's belief that true timelessness requires a design perspective reaching decades into the future. Constructed from solid faceted Gaboon ebony, the cabinet's dark, architectural presence is punctuated by the ethereal glow of its central medallions. These exquisite focal points are crafted from parchment and oxidation-treated silver leaf, creating a textural dialogue between the density of the precious wood and the delicate, organic luster of the ornamentation. Measuring W 125 x D 40 x H 110 cm, the cabinet offers a balanced silhouette that seamlessly integrates into the most refined interiors. Drawing from his background in interior design at ENSAAMA and his early successes at the Paris Art + Design (PAD) fair, Aubagnac elevates this storage element into a sculptural objet d'art. Every facet reflects a meticulous attention to detail and a rejection of fleeting trends. Destined for the discerning collector, the Orion Herborarium Shadows Cabinet is presented as a rare investment in contemporary cabinetmaking, available in an exclusive limited edition of only three pieces.

The Samson Console by Nicolas Aubagnac is a masterclass in structural harmony, embodying the designer's signature philosophy of the "Classicism of the Future." This striking piece of furniture serves as a testament to timeless design, conceived with a vision that looks decades ahead rather than following fleeting trends. Its rigorous geometric form is anchored by a base of forged and hammered iron, finished with a rich patination that highlights the artisanal hand-work inherent in the metal. The material texture of the iron provides a sophisticated counterpoint to the top, which is crafted from Hainaut blue stone. This limestone, celebrated for its durability and subtle tonality, lends the console a grounded, architectural presence suitable for the most refined foyers and living spaces. Measuring W 110 x D 40 x H 80 cm, the Samson Console balances substantiality with elegance. Nicolas Aubagnac, an alumnus of ENSAAMA – Olivier de Serres, brings his expertise in interior architecture to this piece, ensuring it functions as both a utilitarian surface and a collectible objet d'art. By blending classic sensibilities with contemporary execution, the Samson Console transcends modern decoration to become a permanent fixture of an expertly curated interior.

The Albori Chair by Le Berre Vevaud is a masterclass in architectural silhouette and material purity, embodying the Parisian duo’s commitment to furniture that magnifies its surroundings. This seating piece reflects the studio's philosophy of eclectic interiors treated with the precision of Haute Couture, where every curve and joint serves a decorative conviction. Crafted with an uncompromising focus on noble materials, the chair is available in two distinct finishes: the deep, organic warmth of Walnut or the contemporary clarity of White Tinted Oak. The design showcases the technical expertise Raphaël Le Berre and Thomas Vevaud honed at the École Camondo, merging structural rigor with a refined aesthetic. Measuring W 45 x D 62 x H 90 cm, its proportions are calculated to offer both ergonomic comfort and a commanding presence within a curated dining or living space. Driven by a shared passion for beautiful craftsmanship, Le Berre Vevaud ensures that the Albori Chair transcends mere utility to become a collectible objet d’art. Its understated elegance speaks to the designers' background in high-end interior architecture, offering a sophisticated balance of form and function that elevates the modern interior through the lens of French decorative arts.

The Vesuvio Bench by Le Berre Vevaud is a masterful study in tonal contrast and architectural silhouette, epitomizing the duo’s dedication to furniture that magnifies its surrounding environment. Measuring 140 cm in width, this sophisticated seating piece is meticulously crafted from black stained brushed oak, a choice that highlights the natural, tactile grain of the timber while maintaining a minimalist aesthetic. Reflecting the founders' shared passion for noble materials and the art of beautiful craftsmanship, the bench features a striking high gloss black lacquer insert. This play of light—where the matte texture of the wood meets the reflective depth of the lacquer—exemplifies the "Haute Couture" approach to interior design favored by Raphaël Le Berre and Thomas Vevaud. Drawing from their collective expertise gained at the École Camondo and prestigious global studios, the designers have created a piece that balances structural sobriety with decorative conviction. The Vesuvio Bench serves as a functional objet d'art, perfectly suited for an entryway or the foot of a bed, offering a refined presence that grounded in the traditions of French decorative arts. With its precise dimensions and monochromatic palette, it remains a timeless addition to the modern curated interior.

The Barth stool by Le Berre Vevaud is a masterclass in sculptural precision, effortlessly bridging the gap between functional seating and collectible art. Designed with the meticulous attention to detail that defines the Parisian duo’s "Haute Couture" approach to interiors, this piece reflects a profound reverence for noble materials and ancestral craftsmanship. Expertly turned from solid wood linden tree, the Barth features a distinctive, tiered silhouette that commands attention through its architectural geometry. The stool is finished in a vibrant, glossy pink lacquer, a choice that emphasizes its smooth contours and transformational presence within a space. Measuring 37 cm in diameter and reaching a height of 45 cm, it functions with versatile elegance as both an ottoman and a side table. Le Berre Vevaud, founded by Raphaël Le Berre and Thomas Vevaud, is celebrated for a design philosophy rooted in decorative conviction and French refinement. Drawing from their prestigious backgrounds at the École Camondo and various renowned international studios, the designers have imbued the Barth with a sense of "perfect harmony." This stool is not merely an object of utility but a statement of exquisite craft, designed to magnify the aesthetic narrative of any sophisticated interior.

The Barth Enameled Lava stool represents an exercise in elemental strength and precise craftsmanship, characteristic of the Parisian design duo Le Berre Vevaud. Measuring 37 cm in diameter and reaching a height of 45 cm, this sculptural seating piece transcends its functional category to become a focal point of material exploration. Expertly carved from enameled lava stone, the Barth stool highlights the atelier’s commitment to noble materials and the art of beautiful craftsmanship. The volcanic substrate—chosen for its inherent density and geological narrative—is transformed through an enameling process that introduces a refined, lustrous finish. This juxtaposition of raw, earthbound origins with a sophisticated surface treatment reflects the "Haute Couture" approach to eclectic interiors championed by founders Raphaël Le Berre and Thomas Vevaud. Rooted in the principles of the École Camondo and refined through international architectural practice, Le Berre Vevaud designs are intended to magnify the space they inhabit. Whether utilized as a singular architectural accent or as versatile seating, the Barth Enameled Lava stool embodies the perfect harmony of decorative conviction and enduring permanence. Its cylindrical silhouette and tactile weight make it a quintessential addition to the discerning collector’s environment.

The Barth Travertine stool embodies the "Haute Couture" approach to interior architecture championed by the Parisian design duo Le Berre Vevaud. Sculpted with architectural precision, this piece serves as a sophisticated fusion of geometry and raw materiality, designed to magnify the surrounding space through its sculptural presence. Expertly crafted from solid walnut travertine, the stool features a sandblasted brushed finish that accentuates the natural textural nuances of the stone. This tactile treatment reflects Raphaël Le Berre and Thomas Vevaud’s shared passion for noble materials and the art of beautiful craftsmanship. The Barth Travertine functions seamlessly as both an elegant seating option and a functional objet d’art, grounded in the designers' commitment to decorative harmony. Measuring Dia 37 x H 45 cm, its proportions are meticulously balanced, offering a timeless aesthetic that bridges the gap between contemporary minimalism and classical substance. Whether utilized as a singular statement stool or a curated accompaniment within a larger living composition, the Barth Travertine is a testament to the eclectic, high-craft philosophy that defines the Le Berre Vevaud atelier. This piece is an essential acquisition for collectors who value furniture that transcends utility to become a permanent fixture of a home’s architectural narrative.

The Barth Bronze stool is a masterful intersection of sculptural rigor and haute couture craftsmanship, embodying the shared decorative convictions of Raphaël Le Berre and Thomas Vevaud. As a centerpiece of the Le Berre Vevaud collection, this versatile seating piece reflects the duo’s passion for noble materials and their commitment to Magnifying a space through functional art. Expertly cast in verdigris bronze, the stool’s finish offers a rich, oxidized patina that lends an archival quality to its contemporary silhouette. The choice of bronze aligns with the studio’s philosophy of creating eclectic interiors where each object is treated as a bespoke garment for the home. Standing at a height of 45 cm with a 37 cm diameter, its proportions are meticulously balanced, allowing it to function as either an occasional seat or a sculptural pedestal. Born from the collaborative spirit of the École Camondo and refined by the designers’ disparate experiences in Paris and New York, the Barth Bronze stool is a testament to the art of beautiful craftsmanship. It is an essential acquisition for collectors who value furniture that bridges the gap between traditional Parisian savoir-faire and modern architectural form.

The Pienza Console by Le Berre Vevaud is a masterful study in sculptural balance, embodying the studio’s commitment to crafting eclectic interiors with the precision of Haute Couture. This striking console table serves as a functional art piece, designed to magnify its architectural surroundings through a sophisticated interplay of geometry and noble materials. At the heart of the design is a substantial top crafted from Cippollino verde marble, finished to a brilliant polish that highlights the stone’s fluid, organic veining. This verdant marble surface finds its counterpoint in a singular, oversized ball base. Meticulously carved from solid tulip wood and finished in a glossy ivory lacquer, the spherical pedestal provides a bold, minimalist foundation that challenges traditional proportions. True to the philosophy of founders Raphaël Le Berre and Thomas Vevaud, the Pienza Console reflects a deep passion for the art of beautiful craftsmanship. Measuring W 140 x D 50 x H 100 cm, the piece demonstrates the harmonious vision the duo honed during their respective tenures at prestigious firms like MR Architects and the studios of Gilles et Boissier. It is a definitive expression of modern luxury, where Parisian decorative convictions meet rigorous structural integrity.

The Barri Stool by Le Berre Vevaud is a masterful study in structural harmony and the juxtaposition of noble materials. Designed with the precision of haute couture, this sculptural seating piece embodies the Parisian duo’s commitment to superior craftsmanship and architectural clarity. The silhouette is defined by its robust construction, featuring a body of brushed solid oak that highlights the tactile, organic beauty of the wood grain. This warmth is punctuated by a sophisticated Carrara white marble ring, which encircles the piece to create a striking visual and material contrast. Measuring 39.5 cm in diameter and reaching a height of 45 cm, the Barri Stool functions equally well as an elegant ottoman, an occasional seat, or a curated accent piece within a contemporary interior. Reflecting the decorative convictions of designers Raphaël Le Berre and Thomas Vevaud, the stool avoids superfluity in favor of pure form and exquisite texture. Having honed their expertise at the École Camondo and prestigious global studios, the duo utilizes this design to magnify its surrounding environment. Each Barri Stool serves as a testament to their shared passion for the art of beautiful craftsmanship, offering a timeless addition to the Maison Affluency collection of collectible furniture.

The Peonia Armchair by Le Berre Vevaud is a masterclass in structural grace, echoing the duo’s commitment to crafting eclectic interiors with the specialized precision of haute couture. Defined by a sculptural silhouette that seamlessly bridges classic craftsmanship and contemporary geometry, this singular piece of seating serves as a functional objet d’art designed to magnify any sophisticated interior. The armchair’s foundation is meticulously constructed from solid beech, providing a robust frame that celebrates the longevity of noble materials. This base is treated with a glossy off-white lacquered finish, a choice that enhances the piece's luminous quality and emphasizes its fluid lines. Measuring W 56 x D 51 x H 45 cm, the Peonia Armchair maintains a compact yet commanding presence, reflecting the harmonious decorative convictions of founders Raphaël Le Berre and Thomas Vevaud. Guided by a philosophy that prioritizes the art of beautiful craftsmanship, Le Berre Vevaud utilizes their combined experience—honed at prestigious institutions like the École Camondo and through international practice—to create furniture that transcends mere utility. The Peonia Armchair stands as a testament to this vision, offering a refined aesthetic that is both timeless and distinctly modern.

The Etna Mirror by Le Berre Vevaud is a commanding exercise in texture and geometry, designed to magnify the architectural character of any interior. Guided by the duo’s shared passion for noble materials and the art of beautiful craftsmanship, this piece exemplifies their "Haute Couture" approach to contemporary furniture design. The mirror is framed by panels of black-stained brushed pine, a choice that emphasizes the raw, organic grain of the timber while maintaining a sophisticated, monochromatic silhouette. This tactile finish reflects the designers’ decorative convictions, blending the rigor of French modernism with an eclectic sensibility. Spanning 100 cm in width and 120 cm in height with a slim depth of 4.5 cm, the Etna Mirror functions as both a functional objet d’art and a structural focal point. Founded by Raphaël Le Berre and Thomas Vevaud, the Paris-based atelier draws upon their diverse backgrounds—ranging from the École Camondo to prestigious global studios—to create pieces that harmonize space and materiality. This mirror represents their commitment to elevated craftsmanship, transforming a simple wall decor element into a profound study of dark wood and light. Effortlessly elegant, it is a quintessential addition for collectors seeking the understated luxury of Le Berre Vevaud’s distinctive design language.

The Belize Console by Le Berre Vevaud is a masterful exercise in geometric precision and material contrast, designed to magnify the architectural integrity of any interior. Guided by the duo’s passion for noble materials and Haute Couture craftsmanship, this piece functions as a sculptural anchor that balances bold coloration with classical stone. The console is defined by its slender steel legs rendered in a vibrant glossy aqua lacquered finish, providing a modern counterpoint to the structural black lacquered steel crossbar. Atop this vibrant base sits a White Beauty marble tray, finished with a high-polish sheen that highlights the natural, painterly veining of the stone. This deliberate pairing of industrial steel and precious marble reflects the eclectic philosophy of Raphaël Le Berre and Thomas Vevaud, who transitioned from the École Camondo to elite global studios before reuniting to create pieces that act as functional art. With its slim proportions—measuring 104 cm in width and 27 cm in depth—the Belize Console is an ideal choice for narrow galleries or sophisticated entryways. Every element of the design speaks to the designers' conviction that furniture should exist in perfect harmony with decorative space, utilizing exceptional craftsmanship to transform raw materials into a refined statement of contemporary luxury.

The Archipel Coffee Table by Le Berre Vevaud is a masterful study in geometric harmony and structural elegance, designed to magnify the contemporary interior through refined silhouette and noble materiality. Drawing inspiration from the meticulous standards of Haute Couture, this expansive coffee table serves as a functional centerpiece while maintaining the sophisticated lightness characteristic of the Parisian design duo’s eclectic aesthetic. The architectural composition features a meticulously crafted steel frame and leg assembly, finished in a disciplined black satin powder coating. Its presence is defined by a multi-tonal satin lacquered steel top, rendered in a sophisticated palette of black, beige, and aubergine. These contrasting hues create a rhythmic visual landscape across the table’s surface, reflecting the founders’ passion for decorative convictions and the art of beautiful craftsmanship. Measuring 160 cm in both width and depth, the Archipel Coffee Table offers a grand scale that anchors a living space without overwhelming it. Each element demonstrates the shared vision of Raphaël Le Berre and Thomas Vevaud, whose backgrounds at the École Camondo and various prestigious international studios inform their pursuit of perfect harmony. This piece is more than a utilitarian object; it is a testament to the duo’s belief that furniture should exist as a bespoke architectural element within the home.

The Giulia Coffee Table by Le Berre Vevaud is a masterful study in geometric contrast and material sophistication, embodying the duo’s signature "Haute Couture" approach to interior design. At the heart of this piece lies a captivating tension between form and finish, featuring a generous eglomerated glass top anchored by a sculptural, solid beech ball base. The play of light across the textured glass surface is balanced by the deep, saturated tones of the glossy black and grey blue lacquered finishes, showcasing the atelier’s dedication to noble materials and artisanal excellence. Measuring Dia 98 by H 39 cm, this coffee table serves as a functional centerpiece that magnifies any contemporary living space. Drawing from their shared history at the École Camondo and their subsequent mastery of French decorative traditions, Raphaël Le Berre and Thomas Vevaud have created an object that remains in perfect harmony with their philosophy of beautiful craftsmanship. The Giulia Table is not merely a piece of furniture, but a collectible expression of eclectic modernism, where the precision of solid wood joinery meets the ethereal quality of specialized glasswork. Every curve and reflection reflects a commitment to the art of fine living, making it an essential acquisition for those who curate their environments with a gallery-standard aesthetic.

The Mala Side Table by Le Berre Vevaud is a masterclass in geometric harmony, blending haute couture sensibilities with the rigorous craftsmanship of French decorative arts. Standing at 55 cm with a 30 cm diameter, this evocative side table serves as a sculptural focal point, embodying Raphaël Le Berre and Thomas Vevaud’s shared passion for noble materials and refined silhouettes. Every element of the Mala Side Table is a study in texture and contrast. The piece features a striking eglomerate glass top commissioned from artist Solène Eloy, offering a depth of character that elevates the functional surface into a work of art. This ethereal glass rests upon playful yet sophisticated ball legs crafted from glossy lacquered tulip wood, providing a rhythmic quality to the profile. The composition is anchored by a sturdy steel base plate, finished in a matching glossy black lacquer for a seamless, architectural appearance. Consistently aligned with their philosophy that furniture must magnify a space, Le Berre Vevaud utilizes their Parisian training and international expertise to create pieces that feel both eclectic and timeless. The Mala Side Table is a quintessential example of this vision, offering a sophisticated interplay of light and form that integrates effortlessly into contemporary interiors.

The Noto Side Table by Le Berre Vevaud is a masterclass in geometric harmony, embodying the duo’s signature approach to crafting interiors with the precision of high fashion. This sculptural side table serves as a functional objet d'art, standing at a height of 55 cm with a slender 30 cm diameter profile that commands attention through its sophisticated play on volume and color. Designed by Raphaël Le Berre and Thomas Vevaud, the piece reflects a deep-seated passion for noble materials and the art of beautiful craftsmanship. The table features a mesmerizing eglomerate glass top meticulously finished by artist Solène Eloy. This ethereal surface is balanced by a robust steel base lacquered in a glossy terracotta, providing a warm, grounded foundation. Adding a touch of rhythmic whimsy, the structure is punctuated by ball legs crafted from glossy lacquered tulip wood, showcasing the studio's talent for eclectic, high-end detailing. Rooted in the philosophies of the École Camondo and honed through years of international expertise, Le Berre Vevaud ensures every element of the Noto Side Table magnifies its architectural surroundings. Each material choice reflects their commitment to decorative excellence, resulting in a collectible furniture piece that bridges the gap between contemporary Parisian elegance and timeless craftsmanship.

The Ignis Console by Le Berre Vevaud is a masterful study in monochromatic texture, designed to magnify the architectural character of any refined entryway or living space. Embodying the design duo’s philosophy of crafting eclectic interiors with the precision of Haute Couture, this console table balances structural rigor with a sophisticated play on finishes. The piece features a sleek, gloss black lacquered top that provides a mirror-like surface, creating a striking visual contrast against the organic grain of its base. The legs are meticulously crafted from black-tinted brushed pine, a choice of noble material that elevates the silhouette and showcases the studio’s commitment to the art of beautiful craftsmanship. Measuring W 110 x D 32 x H 83 cm, its slender proportions allow it to command attention without overwhelming the space. Founders Raphaël Le Berre and Thomas Vevaud, graduates of the prestigious École Camondo, bring their unique backgrounds—ranging from New York architecture to Parisian decorative arts—into the creation of the Ignis Console. This piece represents their shared decorative conviction that furniture should serve as a harmonious focal point within a home. The Ignis Console is an essential acquisition for collectors who appreciate contemporary French design rooted in professional expertise and timeless materiality.

The OOL 189 Coffee Table by Bieke Casteleyn is a masterclass in soft minimalism, defined by the Belgian designer’s signature commitment to organic shapes and unconventional silhouettes. Handcrafted in Belgium, this substantial piece serves as a functional sculpture, bridging the gap between contemporary aesthetics and timeless class. Its fluid, asymmetrical form brings an inspired energy to the living space, fulfilling Casteleyn’s philosophy of creating objects that bring a home to life through their unique sculptural quality. Measuring 189 cm in width and 102 cm in depth, the table provides a generous surface area while maintaining a low-profile height of 35 cm. The piece is expertly finished in Cement Stuc, a material chosen for its tactile depth and sophisticated texture. This finish highlights the soft curves of the design, ensuring the table remains both a visual focal point and a durable surface intended for everyday use and long-term performance. Educated at the Saint-Lucas School of Arts in Ghent and the Domus Academy in Milan, Bieke Casteleyn brings a refined, architectural perspective to her furniture. The OOL 189 Coffee Table reflects this pedigree, offering a balanced composition that feels grounded yet ethereal. It is an ideal acquisition for collectors seeking furniture that transcends fleeting trends in favor of refined, handcrafted excellence.

The OOL 175 Home Desk by Bieke Casteleyn is a masterclass in sculptural functionality, designed to bring a unique, artistic quality to the contemporary workspace. Handcrafted in Belgium, this piece exemplifies Casteleyn's philosophy of balancing timeless class with everyday performance. Its silhouette challenges conventional office furniture through organic shapes and an unconventional design language, transforming a utilitarian object into a definitive focal point for the home. The desk is meticulously constructed from Cement Stuc, a material that provides a tactile, stone-like texture, beautifully contrasted by the integrated leather work surface. This sophisticated material palette underscores the designer's commitment to refined interiors and long-term durability. Measuring 175 cm in width, 76 cm in depth, and 73 cm in height, the OOL 175 offers a generous yet proportional workspace that feels lighter than its substantial materials suggest. Drawing from her background at the Saint-Lucas School of Arts in Ghent and the Domus Academy in Milan, Bieke Casteleyn infuses each piece with a sense of quiet radicalism. The OOL 175 Home Desk is more than a piece of furniture; it is an inspired design that succeeds in bringing a home to life, offering a seamless dialogue between ergonomic use and high-end collectible design. This desk stands as a testament to the Belgian craftsmanship and aesthetic precision synonymous with the Bieke Casteleyn atelier.

The OOL Dining Table by Bieke Casteleyn is a masterful exploration of sculptural geometry and material permanence. Defined by the Belgian designer's signature unconventional thinking, this centerpiece balances contemporary aesthetics with a timeless, architectural presence. The table offers a generous surface for gathering, characterized by the organic shapes that have become a hallmark of Casteleyn's refined interior portfolio. Expertly handcrafted in Belgium, the OOL 240 is composed of cement, a material chosen for its ability to merge everyday functionality with high-performance durability. This tactile medium enhances the table's sculptural quality, grounding the dining space with a sense of quiet permanence and artisanal weight. Trained at the Saint-Lucas School of Arts in Ghent and the Domus Academy in Milan, Bieke Casteleyn brings a rigorous design pedigree to every creation. Her philosophy centers on finding equilibrium between artistic expression and long-term utility, ensuring that each piece brings a home to life through its unique form. As a definitive example of her eponymous brand's commitment to artisanal excellence, the OOL 240 Dining Table serves as both a functional object and a sophisticated statement of modern Belgian craft.

The OOL 77 Mini Bar by Bieke Casteleyn is a masterclass in sculptural storage, balancing contemporary aesthetics with a profound sense of timeless class. Characterized by the Belgian designer's signature focus on organic shapes and unconventional thinking, this cabinet transcends utility to become a focal point of any refined interior. Every piece reflects Casteleyn's philosophy of bringing homes to life through furniture that possesses a unique, artful quality. Handcrafted in Belgium with meticulous attention to detail, the OOL 77 Mini Bar utilizes a sophisticated palette of Cement Stuc, wood, and leather. The tactile exterior of Cement Stuc provides a textural depth that contrasts beautifully with the warmth of the internal wood and leather elements. Standing at a height of 136 cm with a width of 77 cm and a depth of 52 cm, its proportions are carefully considered for both everyday use and long-term performance. Educated at the Domus Academy in Milan and the Saint-Lucas School of Arts in Ghent, Bieke Casteleyn brings a disciplined architectural edge to her designs. This mini bar is a quintessential example of her ability to merge high-concept silhouettes with functional elegance. Whether placed in a residential salon or a private gallery setting, the OOL 77 represents the pinnacle of modern Belgian craftsmanship and sculptural furniture design.

The OOL 55 Nightable by Bieke Casteleyn represents a masterful dialogue between unconventional thinking and the refined heritage of Belgian craftsmanship. Designed with a sculptural quality that brings a sense of vitality to the bedside, this side table exemplifies the designer's philosophy of balancing contemporary aesthetics with timeless class. Handcrafted in Belgium, the piece is defined by its organic silhouette and a sophisticated interplay of textures. The OOL 55 is meticulously constructed from wood and finished in an tactile cement stuc, providing a stone-like durability that feels inherently architectural. This robust exterior is complemented by the inclusion of premium leather, offering a softness that grounds the design in the realm of luxury living. Measuring W 55 x D 42 x H 43 cm, the OOL 55 Nightable is a testament to Casteleyn's background at the Saint-Lucas School of Arts and Domus Academy, showcasing a rigorous attention to form and function. It is a piece designed not merely for everyday use, but for long-term performance, acting as a functional objet d'art within a curated interior. This side table is an essential acquisition for those who value inspired design that looks at traditional furniture through a quietly radical lens.

The OOL 135 Bookcase High by Bieke Casteleyn is a masterful intersection of contemporary sculpture and functional storage, designed to bring a unique architectural quality to the modern interior. Handcrafted in Belgium, this imposing piece exemplifies Casteleyn's commitment to organic shapes and unconventional thinking, offering a sophisticated alternative to traditional shelving. Standing at a height of 207 cm, the bookcase is defined by its tactile materiality, featuring a refined Cement Stuc finish that provides a sense of raw elegance and timeless class. The structure is supported by rhythmic wood pillars, creating a visual dialogue between the earthiness of the plaster-like coating and the warmth of the timber elements. Measuring 135 cm in width and 54 cm in depth, the OOL 135 Bookcase High offers generous proportions for displaying curated collections or leather-bound volumes. Reflecting the designer's background at the Saint-Lucas School of Arts and Milan's Domus Academy, the piece balances aesthetic performance with everyday utility. Each curve and line serves as a testament to Casteleyn's philosophy of bringing homes to life through furniture that transcends its primary function to become a work of art. This storage solution is an essential acquisition for those seeking Belgian craftsmanship that harmonizes bold, sculptural silhouettes with high-end residential functionality.

The OOL Sofa by Bieke Casteleyn is a masterclass in organic geometry, offering a sophisticated silhouette that challenges conventional seating archetypes while maintaining a sense of timeless poise. Handcrafted in Belgium, this substantial piece reflects Casteleyn's commitment to finding a harmonious balance between contemporary sculptural quality and enduring performance. Characterized by its fluid, unconventional lines, the sofa is meticulously upholstered in premium fabric, creating a tactile contrast against its structural foundation of Afromorsia wood. Measuring W 240 x D 130 x H 70 cm, the OOL Sofa possesses a commanding presence that serves as a focal point in refined interiors, yet its soft contours ensure it never overwhelms a space. Drawing upon her background at the Saint-Lucas School of Arts and Milan's Domus Academy, the designer infuses the piece with a quiet radicalism that invites long-term appreciation. This seating solution exemplifies the brand's philosophy: that inspired design should bring a home to life through functional art. Every detail, from the selection of rare timber to the seamless integration of fabric, underscores the Belgian atelier's dedication to handcrafted excellence and the pursuit of everyday courage in design.

The OOL Shelf by Bieke Casteleyn is a masterclass in modern geometry, transcending traditional storage to become a focal point of sculptural intrigue. Handcrafted in Belgium, this piece embodies Casteleyn's signature philosophy of blending contemporary aesthetics with timeless class. Its expansive form, measuring 190 cm in width, balances a bold structural presence with the fluid, organic lines for which the Ghent-trained designer is renowned. Constructed from a sophisticated pairing of cement stuc and leather, the OOL Shelf highlights a tactile contrast between mineral durability and artisanal refinement. The textured depth of the cement provides a neutral, architectural foundation, while the integrated leather elements offer a soft, luxurious counterpoint. This unconventional use of materials reflects Casteleyn's commitment to bringing homes to life through furniture that doubles as functional art. Designed for those who value both everyday utility and long-term performance, this bookcase serves as a refined platform for curated objects. Whether positioned in a minimalist study or a grand living suite, the OOL Shelf captures the Belgian designer's unique ability to merge Milanese-informed discipline with a radical, soul-stirring perspective on interior architecture.